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Thread: Photo Assignment 03/02/08

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  1. #1
    SNC1923
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    Photo Assignment 03/02/08

    Winter is still upon us; while this presents some challenges for motorcycle riding, it is prime photographic weather. Now before we get all excited, allow me to remind you of these simple rules:

    • Photos must be shot between Fri. 02/22/08 and Sun. 03/02/08--10 days.
    • You must provide the EXIF information if asked (we'll help you, if you'd like to know how to get it).
    • No photoshop alteration (we're looking to improve your skills with your camera, not software).
    • Your photograph must adhere to the theme, which will be described below.
    • Post only one photo per post, so that commentary can be easily provided for that photo. You may post more than one photo, but try to keep it to a handful.
    • Title your photo so it can be referred to later.
    • Post your photos in this thread only. Do not start a thread in reply to this assignment. Please post your photos no later than next Wednesday.
    • And, the most important rule: have fun! We're looking to spread the joy that many of us derive from taking pictures, particularly ones that tell a story of some kind.


    This week's theme: "Landscape"

    A landscape comprises the visible features of an area of land, including physical elements such as landforms, living elements of flora and fauna, and abstract elements such as lighting and weather conditions.

    In an effort to not simply showcase our photography, let's also try to improve our photography. Please try to avoid simply grabbing a snapshot. Ansel Adams said, "You don't take a photograph, you make it." Try to make an image that is a purposeful landscape photograph.

    You may want to consider looking at 11 Surefire Tips for Improving your Landscape Photography. Of particular interest are :

    1. Look for a Focal Point
    2. Think Foreground
    3. Work the Golden Hours
    4. Think About Horizons
    5. Change Your Point of View


    If that's not enough, you can also look at 16 Simple Landscape Photography Tips or Landscape Photography or a really neat site, Four Rules of Composition for Landscape Photography.

    NOTE: Please use the "commentary thread" to post multiple efforts and to discuss techniques, ask questions, make comments, etc. Please reserve this thread to post one or two of your final efforts, the photos you're really proud of and want feedback on. Thanks!

    What are you waiting for? You're burning daylight!

  2. #2
    Benchwrenching PGlaves's Avatar
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    Harsh Landscape

    "If it doesn't stick you, sting you or bite you it's a rock!"
    Attached Images Attached Images
    Paul Glaves - "Big Bend", Texas U.S.A
    "The greatest challenge to any thinker is stating the problem in a way that will allow a solution." - Bertrand Russell
    http://www.bigbend.net/users/glaves

  3. #3
    Registered User 178618's Avatar
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    The BRP this afternoon hazy but you still can see the layers of hills.

    Sandy Becker, Rider Formerly known as Capecodbeemer
    Veni, Vedi, Velcro
    (I came, I saw, I stuck around)
    Asheville, NC

  4. #4
    Seattle-area Rounder OfficerImpersonator's Avatar
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    Seattle, WA
    2012 R1200GSA
    2002 R1150RT-P
    1992 K75S sold

  5. #5
    franze
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    Rural Neural


  6. #6
    SNC1923
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    Desert Landscape


  7. #7
    SNC1923
    Guest

    Kern River Landscape


  8. #8
    BMW MOA co-founder bmwdean's Avatar
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    Quote Originally Posted by SNC1923 View Post
    This photo is very, very nice. Clean, clear, and memorable, with a simple but potent foreground.
    Jeff Dean − Tucson, Arizona − BMW MOA Co-founder (1972)
    http://bmwdean.com/2014-r1200rt.htm − MSF Chief Instructor (1994)
    Friend of the Marque (1999) − Prof. Gerhard Knochlein BMW Classic Award (2013)
    2015 & 2007 R1200RTs, R60/2s, R67/3, R51/3 ↔ 1949 R24

  9. #9
    Focused kbasa's Avatar
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    Nicasio cows

    Dave Swider
    Marin County, CA

    Some bikes. Some with motors, some without.

  10. #10
    rocketman
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    Fence-scape



    RM

  11. #11
    *censored*
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    I'm sorry, I've been out of town for a few days and forgot to post a pic here before I left.


    Blasted.

    I'm going with this one.

  12. #12
    darcym
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    Was out at Cabrillo National park today. Windy, sunny, very nice. Too many pics to choose from, but I'm going with these as my 2 favs:
    old pt loma lightnouse


    in the wind

  13. #13
    SNC1923
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    Feedback I



    Paul Glaves starts us off this week with a "look out!" dessert landscape. This is a thoughtfully composed landscape shot, with an eye to the rule of thirds, and it certainly appears to have been photographed during the "golden hours." A portion of the shot falls into the shadows, but the gold light and strong shadows add to the harshness of this compelling landscape. Where this image might fall down is in its apparent lack of a focal point. The point is, of course, the great variety of hostile plant life, but given the opportunity, I might have foregrounded one plant--that great cactus for example--to add an element of visual interest that may have calmed this frenetic photo. It's a good shot and one the definitely communicates a message.



    Voni follows closely behind with this nice landscape shot. It's textbook rule of thirds, and she's chosen to have an interesting foreground--not a specific item, but a landscape that starts right in front of the viewer and extends into infinity. This photo has great layers. There are horizontal layers (the thirds of scrub brush, mountains, and sky) as well as the wonderful receding layers extending as far as the eye can see. Good lighting, lots of visually interesting texture, a blue sky. . . . A nice shot, indeed.



    Nice to see Statdawg again this week with a winter landscape. Snow is an obvious component of a winter landscape, but so are these stark, leafless trees. They convey a real sense of dormancy, even a desperation as winter holds us in its icy fist. What I like here is the featuring of the two trees against a line of smaller trees in the background. That's interesting. In a weird way, the trees seem almost to be reaching out to each other, a la Michelangelo's Creation di Adamo. Unfortunately, it might be as easy to see these two as Laurel and Hardy. The image may have been more interesting--or competing less for the viewer's focus--if only one tree were featured against the backdrop of soldier trees. The snow is also underexposed, but to have corrected that may have sacraficed the blue sky. If I'm right about the trees touching (or even if I'm not), it's a thought-provoking shot.



    MLS2GO is back again this week, this time with one of the most compelling images I've seen in a while. I'm struggling with trying to decide if this image is underexposed or not. It is, but is it a problem, or does it add to the considerable drama of this image? It's the very definition of dreariness, despair, and dying. Including the bit of foreground in the bottom really helps to anchor an otherwise gray and complex image. On the one hand, it lack a central subject, but on the other hand, this whole stand of trees is the subject. Like Voni's shot, it's a study of layers, making it all the more interesting and a very effecitve use of Rule3s.



    Nice to see DarcyM back with three interesting submissions. This first is a lovely composition but is fraught with problems. Shooting nearly into the sun results in this backlit, high-contrast image that's unpleasant to look at, complicated by the lens flare. Horizon's crooked and the sky has no punch. Good use of foregrounding and layered composition. Not up to DarcyM's usual standards.



    This next shot is a wonder. Including a camera in the foreground is wonderful. It's a bit postmodern, including the equipment in making the image. It definitely adds visual interest. It obscurse the annoying cars. This image embodies a number of the tenets of good landscape photography: The receding line of the retaining wall (lines) draws the eye to the couple (focal point) and looks down at the sea (high vantage point). A trifecta! You may also notice that the image can be divided into thirds both horizontally and vertically. I also love that the line between sky and ocean is invisible. Great shot.



    This third shot combines the reviews of the previous two. A bit backlit, but interesting textures and composition. La Jolla is one of the loveliest places on earth. You're lucky to live near there. Nice photography, all three, but two is my favorite, FWIW.



    A big welcome to CapeCodBeemer with a nice landscape. This is a strong composition with an interesting focal point, Rule3s, and that nice atmospheric layering. I find the exposure a bit dim and the contrast too low (shooting into the sun, I suspect). This would be a radically different photo at a different time of day. Still, an interesting and effective image.



    Dvandkq has developed a bit of rep, at least in my mind, for nice landscape photography, so this is right up his alley. This meandering river makes for a nice subject in a really good composition. The little sandbar in the foreground is just the thing to anchor and offer visual interest. The trees before the mountains provides some nice layering. I like that the trees hug the river and that some are near and others far. A higher vantage point (often impossible for those of us not packing aluminum ladders) might have made for more spread. This isn't exactly Rule3s, but it's divided nicely and in a visually pleasing manner. I don't know about the diagonal tree trunk. It was clearly included on purpose, does provide for a focal point, but I can't decide if I love it or hate it. I'm leaning toward the latter. Still, a particularly effective landscape shot.

  14. #14
    SNC1923
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    Feedback II



    Franze is here this week with a wonderful landscape. This shot defies conventional wisdom inasmuch as it's not wide-angle, or at least terribly wide-angle. It strikes me as more short-to-medium telephoto. This selective composition is quite effective, though. Like several shots this week, it lacks an obvious focal point, but has that wonderful, layered composition. The wheat (?) in the foreground is quite effective, particularly its muted color. The complexity of the trees is a wonderful study, especially against the simple, but not plain, blue sky. 50 bonus points for such a cool title. Nice shot.



    SheRidesaBeemer is here again this week, this time with a snowy landscape. Like others this week, this photo struggles with shooting nearly directly into the sun (see fence post shadows) but it suffers very little due to this fact, just with contrast, in the distance. It is otherwise a very good and very effective photo, putting me in mind of a Frost poem. The snow is quite pretty, and fairly white, with intriguing little foot/hoof prints scattered about. The composition is great--the fence line draws the viewer's eye and leads it through the picture; it adds considerable visual interest as well. The closest, lower fence railing has dropped, too. This picture has all sorts of little interesting details. Not sure how I might improve it. A really nice landscape here.



    Grossjohann is at it again this week with his "Sunset Tundra." What I like about this picture is that it's utterly abstract and bears no particular relation to the actual object photographed, necessarily. It's entirely a study in form, texture, and light. Gutsy and successful. Such an image invites a great deal of thought and interpretation. I can't help but wonder what this might have looked like with longer exposures, a flash, playing with the white balance, etc. I can't really comment on its fidelity, as it is removed from the original subject and from my experience. As an artifact, it certainly succeeds in grabbing my attention.



    Kbasa's here this week with three real treats. I confess this is my favorite. This is a wonderful study in light--a sunset photo that doesn't feature the sun, but instead the sun's light playing across a magnificent landscape. Talk about the golden hours. It's a marvelous composition. The grass, trees, hills, and light all form a quilted texture. There's a fair amount of latitude between the sun-soaked surface and the areas of shadow, but both exhibit admirable detail. One might argue that the image doesn't contain a focal point; another might say the light is the focal point. This is such an appealing and successful landscape image. I really like this one.



    Kbasa's second submission is a landscape that is as different and as nice as the first. This shot is a series of layers, and does contain a focal point--the stand of trees. I would only add that this is an object lesson in shooting in the golden light, choosing a specific time of day and taking pictures of light as much as of objects or detail. Try to image this shot at 10:00 a.m. or 2:00 p.m. Pretty, perhaps, but I doubt nearly as effective.



    Another great image from Kbasa. This one is really too yellow for my taste, but that is really subjective. The lighting is so dramatic, that I can see how it would appeal. Great composition and very interesting, by virtue of the inclusion of this great focal point, the ancient, dead, mangled tree. The three cows, stacked as they are, and all different, are also quite interesting. I wonder what this would have looked like underexposed slightly. This lighting--in contrast to the image above but like the first image--is very bright and harsh. Still a compelling and interesting still life/landscape.

    Poobah has his camera on, no doubt about it. Really nice work this week, Dave.



    Nice to see Rocketman back this week, feet firmly on the ground. This is a neat landscape, made interesting by its perspective. The two fencelines are the classic receding lines converging on a vanishing point. That the road rises adds a compelling area of visual interest. The road has a remarkable, mottled surface. It almost appears to be grain in the image, but I'm not sure about that. None evident in the sky. The big crack in the asphalt in the LR corner is perhaps the most visually interesting aspect of the photo and an excellent composition choice. There is an overall blue/purple cast to the image that I wonder about. I've peeked at the EXIF and some of my questions have been answered. This was shot at ISO 1600 with a compact camera--the result is the tremendous grain (or noise) you see in the blacktop. This can be effective as texture in bright light, as it is here, but can be quite annoying in low light images.



    Nice to see Bony back, with what might be my favorite image this week. One of the tenets of good landscape photography is framing, and this is a textbook study. Often tree limbs or a fence post, this framing is almost an exploded view. Not entirely clear what this is, but it appears to be shattered or decay, the wall of an old shed perhaps. The jagged edges, the (bullet?) holes, the fading paint all combine for a frame that very nearly competes with the image it reveals. The background--the subject--is a small stream on some farm land. The layers in the landscape and the little bit of foam on the water add such interest and harmonious complexity. Another technical note is how impressive it is that Boney maintains detail between the extremes in latitude between the sky and the shadow on the wood's interior. Fabulous title, too. This is an amazing, wonderful image. I commend you on such a successful shot.

    [My wife just walked by and remarked "Ohh, that's pretty!"]



    DarcyM has two more very nice landscapes. This first is a great composition. Lighthouse pictures are nearly as clich?® as rainbows, but it's hard not to like them and this is a good one. The choice to include the rock outcropping is an excellent one and is what makes this shot so visually interesting. The rolling hillside, the inclusion of the road, and the ocean all combine to make this effective. I like that the lighthouse is a feature of the photo--apparently its subject--but that it doesn't dominate the image. The only thing I'd change is the dead-centering of the horizon. It's not exactly dead-center, but it's maybe too close. Circumstances may not have allowed for the choice. In any case, a really strong image.



    I could almost repeat the above critique for this photo. It's very effective. The flower makes it, the horizon is a bit centered, it's got layers, it's interesting, there's a focal point, etc. It's a very nice image of this flower, too. Imagine if this were merely a close-up of the flower. Pretty, but far less interesting. The wind, simultaneously visible and invisible, is certainly a character in this drama as well. I wonder how this may have worked shot from a different perspective--higher or lower--with the flower slightly farther into the corner? This is second guessing, of course, a really well-executed and successful photo. Nice work, on both counts.

    That's it. If anyone has forgotten to migrate a shot over from commentary or has anything else, feel free to post it. I thought we had a really well-managed thread this time and an especially nice crop of photos as well. There are some really talented shooters here.
    Last edited by SNC1923; 03-07-2008 at 04:34 PM.

  15. #15
    BMW MOA co-founder bmwdean's Avatar
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    Moon descending over Wasson Peak

    Taken early a.m. in late February.
    Attached Images Attached Images
    Jeff Dean − Tucson, Arizona − BMW MOA Co-founder (1972)
    http://bmwdean.com/2014-r1200rt.htm − MSF Chief Instructor (1994)
    Friend of the Marque (1999) − Prof. Gerhard Knochlein BMW Classic Award (2013)
    2015 & 2007 R1200RTs, R60/2s, R67/3, R51/3 ↔ 1949 R24

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